Author: Vanguard News

  • Biggest challenge of producing movies for YouTube audience – Joke Lawal l

    Biggest challenge of producing movies for YouTube audience – Joke Lawal l

    By Ayo Onikoyi

    Filmmaker Joke Lawal has shed light on the evolving dynamics of producing films within the Yoruba arm of Nollywood, particularly for the fast-growing YouTube audience, where distribution models and production realities continue to shift.
    Speaking on her experiences, Lawal identified the daily payment structure for actors as one of the key issues confronting producers in the YouTube film space. According to her, while the model is widely practiced, it requires thoughtful reconsideration to ensure sustainability for both filmmakers and performers.
    “Paying actors per day for a YouTube film is something we really need to work on in this sector,” she said. “I will not like to mention names and I’m not saying it’s bad, but we should be considerate.”
    Her comments reflect broader conversations within Nollywood, where the surge in YouTube distribution has created new opportunities for filmmakers, while also introducing cost-management challenges tied to tighter budgets and faster production timelines.
    Despite these concerns, Lawal expressed optimism about the resilience of practitioners in the Yoruba film space, commending the dedication and professionalism that continue to drive the sector forward amid changing industry economics.
    Lawal’s latest project, Enemy Within, adds to her growing body of work tailored for contemporary audiences. She previously produced Honeymoon in 2018 and Omowonuola in 2021, steadily building a reputation for delivering relatable, socially grounded stories.
    As YouTube continues to redefine content consumption patterns in Nigeria, filmmakers like Lawal are increasingly adapting their production strategies to meet audience demand while navigating financial and structural constraints. Industry observers note that her approach underscores a broader shift toward digital-first storytelling, where films serve not only as entertainment but also as reflections of everyday societal realities.

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  • Anglican Church Primate charges youths to influence society

    Anglican Church Primate charges youths to influence society

    Primate of the Church of Nigeria (Anglican Communion), Most Reverend Henry Ndukuba, has called on young Nigerians to rise above the identity crisis and take their place as an “end-time army” equipped to influence society for Christ. Speaking at the opening of the Joshua Generation International Youth Conference (JGIYC) 2026 in Enugu, Enugu State, the […]

  • I can sacrifice, compromise for love — Titi Adeoye

    I can sacrifice, compromise for love — Titi Adeoye

    By Ayo Onikoyi

    Notable Nollywood actress and filmmaker Titi Adeoye has declared that while she is willing to make sacrifices for love, it will never come at the cost of her self-respect, values, or peace of mind, offering a candid glimpse into her views on relationships and personal boundaries.
    In a recent chat, the screen star emphasized that love, though beautiful, must be grounded in mutual respect, trust, and clearly defined limits. “I can sacrifice and compromise for love,” she said, “but never at the expense of my self-respect, values, or peace of mind.”
    Speaking on the qualities she values in a partner, the actress highlighted honesty, emotional intelligence, respect, ambition, and kindness as non-negotiable traits. According to her, a supportive partner who communicates effectively and understands the importance of partnership is key to a healthy relationship.
    She also weighed in on the growing trend of body enhancement among women, stressing the importance of personal choice and confidence. While acknowledging that every woman has the right to make decisions about her body, she maintained that such choices should stem from personal happiness rather than societal pressure.
    “I believe every woman should have the freedom to do what makes her feel confident,” she said. “Personally, I support self-love and natural beauty. For now, I am comfortable in my own skin.”
    Her comments add to ongoing conversations around love, self-worth, and body image, particularly among young women navigating societal expectations and personal aspirations.

    The post I can sacrifice, compromise for love — Titi Adeoye appeared first on Vanguard News.

  • Oyedepo, Ibiyeomie to lead dedication of Master’s Place Dreamland City Mega Complex

    Oyedepo, Ibiyeomie to lead dedication of Master’s Place Dreamland City Mega Complex

    By Chioma Okoye

    The Presiding Pastor of Master’s Place International, Pastor Korede Komaiya, has announced plans for the opening and dedication of the church’s newly completed mega facility, known as Dreamland City.

    The announcement was made via the cleric’s official communication platforms, as well as those of the church.

    The expansive complex features two wings of four floors each, equipped with elevators, a central air conditioning (HVAC) system, and a state-of-the-art main auditorium designed to meet modern standards. The facility is scheduled for formal dedication on Friday, July 17, 2026, at 11 a.m.

    The event will be officiated by prominent clerics, including David Oyedepo and David Ibiyeomie, alongside other ministers.

    Speaking on the milestone, Pastor Komaiya expressed gratitude for the project’s completion, stating, “The Word of God works. The covenant can never fail.”

    He added, “We are grateful to God for His faithfulness. We are now at the finishing stage, as Master’s City Dreamland is a reality. Blessings on all givers and partners.”

    The post Oyedepo, Ibiyeomie to lead dedication of Master’s Place Dreamland City Mega Complex appeared first on Vanguard News.

  • Quiet revolutionary: Appreciating Bala Wunti’s legacy of service

    Quiet revolutionary: Appreciating Bala Wunti’s legacy of service

    By Suleiman Adamu COMMUNITIES have mirrors. Sometimes they arrive in crisis. Other times, they appear in conversation, in the quiet way a discussion turns into reflection. The conversation around Dr. Bala Maijama’a Wunti is one such mirror for Bauchi. What we see is not only the story of a man who rose from an orphaned […]

  • ‘Main Character’ Masterclass inspires young creatives

    ‘Main Character’ Masterclass inspires young creatives

    By Ayo Onikoyi

    Aspiring actors, screenwriters, and filmmakers gathered in Lagos on March 28 for the Stellamaris Duru Masterclass, themed “The Main Character,” an initiative designed to nurture emerging talent in Nigeria’s creative industry.

    Convener Stellamaris Duru described the event as a response to the abundance of untapped potential among young creatives. She emphasized that the masterclass was created to inspire a “destiny shift” by equipping participants with practical knowledge and hands-on experience.

    “It’s an initiative borne out of the urge for more because I know we have a lot of young untapped talents. The event is about destiny shift. From what has happened inside the hall, you can tell that the essence of this initiative is being fulfilled,” Duru said.

    The event featured a lineup of notable industry professionals, including Ireti Doyle, Yinka Adebayo, Steve Onu, Patience Oghre, John Njamah, Blessing Obasi, and Tunbosun Aiyedehin.

    Speaking on the impact of the masterclass, one of the facilitators, Yinka Adebayo, noted that the gathering provided participants with a rare opportunity to learn directly from seasoned professionals.

    “It was an opportunity for them to deepen their skills and also network. The speakers are not those you find on the streets, so having them in a confined place like this gives participants the chance to drink from their fountain of experience,” he said.

    The program also featured a monologue challenge, where three winners emerged and were awarded scholarships to attend PEFTI Film Institute, further supporting their development in the film industry.

    Another facilitator, actress Tunbosun Aiyedehin, encouraged more initiatives of this kind, stressing the need for continuous training opportunities for young creatives.

    “From my conversation with the convener, she discovered that many young people are passionate about acting but lack proper knowledge. If anyone is open to organizing training like this, we should support them. We need to have as many as possible,” she said.

    The post ‘Main Character’ Masterclass inspires young creatives appeared first on Vanguard News.

  • GAS Foundation presents collaborative project at Venice Biennale 2026

    GAS Foundation presents collaborative project at Venice Biennale 2026

    GUEST Artists Space Foundation (G.A.S.) is set to take part in the 61st International Art Exhibition of La Biennale di Venezia, curated by Koyo Kouoh. The exhibition, titled ‘In Minor Keys’, will open for preview audiences from May 6 to 8. British-Nigerian artist Yinka Shonibare started G.A.S. in 2019. The foundation encourages international cultural exchange […]

  • The sacrificial lamb, by Patrick Omorodion

    The sacrificial lamb, by Patrick Omorodion

    The Bible said in John 1:29 that Jesus Christ is the “Lamb of God”, a sinless sacrifice provided by God to atone for our sins. And in John 3:16, it said, “For God so loved the world that He gave His only begotten Son, that whosoever believeth in Him should not perish but have everlasting life”.

    Sacrificial lambs are used to save people or situations for the good of all. But such lambs should have a special place in the heart of those who used them for the good of all.

    One such lamb today is Jean-Jacques Ndala Ngambo, a FIFA-listed Congolese football referee who handled the controversial 2025 AFCON final in Morocco. But was he used rightly?

    Ndala has gone into the record books as the referee who officiated the most controversial AFCON final in the history of CAF since the continent’s flagship competition started in 1957.

    For a referee to be listed by FIFA to handle its matches and in fact recognized by CAF to handle the final of the AFCON that had six billion digital viewers from all over the world glued to their gadgets to watch such a crucial final match shows that he knows his onions.

    Ndala should have known that his decision, according to the rules of football officiating, is final. He may or may not accept the correction of the Video Assistant Referring (VAR) if he is convinced his decision is the best.

    Even if the Match Assessors later decides that his decision was the wrong one, the referee could only be sanctioned one way or the other but the result of the match stays. That is what we are used to.

    All that has now been torn to shreds by CAF led by South African billionaire, Patrice Motsepe, who is now running from pillar to post, trying to assuage the feelings of football stakeholders across the continent.

    Ndala may have shot himself in the foot because reports have it that even though he knew the rules, he was instructed by high-ranking officials in CAF to continue with the said final, despite Senegal walking off the pitch.

    It was gathered, his initial intention was to stop the match and potentially end it immediately when Senegalese players walked off in protest of a penalty awarded to Morocco in the 98th minute.

    Ndala, as a sacrificial lamb, was not just used to help CAF save face so that their flagship competition wasn’t abandoned but also to show that Morocco, the preferred winner, won clean and square.

    Both CAF and Morocco officials who knew the rules didn’t want to go through that route, believing that Morocco could score the penalty and win the match with two minutes left of play.

    Morocco star boy Brahim Diaz blew the penalty and Senegal went on to score a goal in extra time. The referee ended the match and CAF, in the presence of FIFA president, awarded them medals and the trophy.

    That was when Morocco suddenly realized that the rule was flouted and the people who allegedly instructed the referee not to follow the rules suddenly lost their voices.

    Senegal became the scapegoat because the anointed favourites must be appeased for CAF to continue hosting events in their country.

    May be CAF thought that stripping Senegal of the title and handing it over to Morocco would be the end of the matter. But it is not, as it seems now.

    Of course Senegal wouldn’t accept to return the trophy, claiming they are the rightful champions who won on the field of play. They have headed to the Court of Arbitration for Sport (CAS) which is yet to decide on the matter.

    CAF president, Motsepe has however, been singing like a canary telling whoever cares to hear that the continen- tal body would respect whatever decision CAS comes with.

    Motsepe would however, not wait for the outcome of the case before CAS and has started a diplomatic shuttle between the two estranged African countries, Senegal and Morocco.

    In the midst of the crisis, Senegal has alleged that CAF is riddled with corruption. Not surprisingly, Motsepe on his visit to Senegal assured them that their corruption allegation would not be taken with a pinch of salt but looked into.

    According to Motsepe, “We have a duty to our people in Africa. If any government or institution [wants to], please go ahead, conduct the investigation. We will give you all the co-operation. In fact, I encourage you,” he stressed.

    I think since Senegal has alleged corruption in CAF, the football body should ask for evidence and investigate the matter.

    To show that CAF is in the know of the decision of the referee not to follow the rule to the letter by disqualifying Senegal and awarding the match to Morocco on January 18, 2026, it has remained silent on the failure of the referee.

    However, as a slap on CAF and a proof that referee Ndala messed up the AFCON final, FIFA during the week dropped him from the list of African referees CAF selected to officiate at the 2026 FIFA World Cup holding in Canada, Mexico and the United States.

    Unlike the Lamb of God who finished His job and is now with God, the sacrificial lamb of CAF has been used and dumped and left alone to suffer the humiliation of knowing the right thing but failing to do it to please people who had a hidden agenda.

    The post The sacrificial lamb, by Patrick Omorodion appeared first on Vanguard News.

  • Okpebholo’s roads and sceptics’ hearts

    Okpebholo’s roads and sceptics’ hearts

    By Paul Ade-Adeleye

    I did not come to Governor Monday Okpebholo’s administration with applause . I came with a raised eyebrow. Before his election into the executive seat of Edo State, I was not sold on the man. I had seen too many promises dressed in fine agbada and too many campaigns that could talk a good game but could not put gravel where there was mud. 

    Indeed, the former governor of the state was sold to us as a technocrat and I thought he would be like the frontend developer to put an interface to the backend work of former governor Adams Oshiomhole but he ended up being underwhelming. 

    So, I did what any careful observer should do this time around; I watched closely. Not from the noisy marketplace of partisan excitement, but from that quieter corner where one waits for the dust to settle and the facts to begin speaking for themselves.

    Now, more than a year into his tenure, I can say this much without choking on my own words: the governor appears to have settled on roads as the spine of his development argument. And in a place like Edo, that is no small thing. 

    Roads are not merely strips of tar and stone. They are the veins through which commerce travels, the bridges between farms and markets, the difference between isolation and access, between movement and stagnation. When roads fail, communities do not simply complain. They shrink. Economies stiffen. Daily life becomes a wrestling match with distance.

    What catches the eye in Edo is that the current road push is not being sold as one giant miracle project or as a single contractor’s parade. It is taking shape as something more layered, more thought through, more deliberate. 

    There seems to be a three-part working model behind it. First, the state is pushing some construction capacity downward to local government councils. Second, it is trying to build a quicker maintenance and emergency-repair system. Third, it is reserving bigger and more technically demanding corridors for established construction firms. 

    In plain terms, the approach looks like this: decentralised delivery even down to the councils, rapid intervention, and large-scale execution on the part of road construction firms. That distinction matters. 

    In government, one size rarely fits all, and when leaders pretend otherwise, they usually end up carrying water in a basket.

    Take the first prong. Earlier this year, the Edo State government moved to hand over 54 units of construction equipment to the 18 local government councils. Reports indicated that these included graders, excavators, rollers, and other heavy-duty machines meant to support road building, drainage works, rural access, and other community infrastructure needs. The logic was not hidden behind bureaucratic grammar. This way, policies and hindrances, which hitherto had a field day delaying road projects were securely pinioned in favour of the grassroots drive for development. 

    By putting tools closer to the ground, the government says it wants to cut the bottlenecks that usually turn manageable problems into chronic wounds.

    There is common sense in that. Road failure often begins as a local nuisance long before it becomes a statewide embarrassment. A collapsed drainage in one ward, a failing culvert in a farming settlement, a feeder road so battered that produce cannot leave the village without bruising both goods and patience, these things do not always require ribbon-cutting drama or a contractor with a convoy. Sometimes what they require is far simpler and far more urgent: machinery within reach, officials who cannot hide from the people affected, and responsibility placed near the scene of the trouble. If the shoe pinches, let the wearer be close enough to say so.

    That is where decentralisation earns its keep. It takes some of the power to act out of distant offices and places it in the hands of councils that ought to know their terrain better than anyone else. Whether they will use that power well is another question, but as an administrative principle, it is harder to fault than the old habit of waiting for the capital to sneeze before the localities are allowed to breathe.

    Then comes the second prong, and to my mind this may be the most revealing. It is one thing for a government to build roads. It is another thing entirely for it to respect maintenance. It is a bad habit to fall in love with groundbreaking ceremonies while treating maintenance like an unwanted stepchild. We praise the new and neglect the necessary. We wait until a road has gone from cracked to cratered before anyone begins to move. By then, the horse has bolted and the stable is on fire.

    This maintenance-minded posture is reinforced by how the administration has reportedly supervised active sites. There have been reports of Governor Okpebholo directing contractors on ongoing road projects to work round the clock so that meaningful progress can be made before the heavy rains arrive in full force.

    Projects such as Mechanic Road in Egor and the Catholic Charismatic Renewal Road in Ugbiyoko were mentioned in that context. Some may dismiss such directives as political theatre, but time is not a decorative element in road construction. In our environment, the rainy season is an unforgiving auditor. Weak, delayed, or half-finished work can be swept backwards in weeks. On this score, speed is not only a political virtue. It is an engineering necessity.

    The third prong is where scale changes the conversation. Not every road can or should be handled at the council level, and not every job can be solved with emergency maintenance. Some projects are too large, too technical, too central to urban mobility to be managed with improvised arrangements. That is where established construction firms enter the picture.

    The Ramat Park flyover in Benin City is the clearest example. When it was flagged off in November 2024, the state identified CCECC Nigeria Limited as the contractor and gave an 18-month completion timeline. By February 20, 2026, the project was said to be about 90 percent complete, with the governor expressing satisfaction at the pace and quality of work. 

    This is not ward-level patching. It is structural infrastructure, the kind that requires engineering depth, traffic coordination, organisational discipline, and a contractor capable of carrying a heavier load without dropping the ball.

    The Utteh Palace Road project in Benin City offers another glimpse of this third layer. The 4.7-kilometre road, flagged off in December 2024, was assigned to Risen Fan, and the state connected it to broader inter-local movement, saying it would link Ikpoba-Okha to Uhunmwonde. 

    Here again, the pattern becomes clearer. The government does not appear to be throwing every problem into the same pot and hoping for soup. It is classifying roads by character and assigning them accordingly. Councils for local and distributed works. State-backed rapid response for maintenance and emerging failures. Major firms for the heavy lifting and headline connectors. 

    That, at least on paper and increasingly in practice, is a rational division of labour. There are signs that this pattern stretches beyond Benin City. In Akoko-Edo, reports indicated that preparations were underway for reconstruction work along the Auchi-Sasaro-Igarra-Aiyetoro-Uneme-Nekua-Ibillo-Ekor-Ikiran-Oke corridor, with local inspection activity preceding the larger execution. Even where not every contractor’s name is always in public view, the method remains visible enough: state ownership at the political level, local coordination where needed, and contractor-led delivery on key routes.

    Still, it would be foolish to break into premature applause. A framework can look elegant on paper and still stumble in the field. Councils can misuse equipment or allow machines to rot in the weeds. Rapid-response units can become loud in press releases and quiet on the ground. Big contractors can miss deadlines, cut corners, or hide behind excuses if supervision goes soft. 

    In public works, the devil is not merely in the detail. Sometimes he is driving the bulldozer.

    That is why the real measure of this model will not be the neatness of its design but the endurance of its outcomes. Roads must last. Machines must work. Councils must act. Contractors must deliver. Government must inspect not once for the cameras, but again and again until quality becomes habit rather than accident.

    Yet even with those cautions firmly in place, one point stands out. What is emerging in Edo is not random motion. It is not governance by guesswork. It is an attempt at a coherent operating theory, one that recognises that different road problems require different tools. That may not be the final word on success, but it is certainly better than governing as though every crack in the road can be fixed by ceremony, slogan, or wishful thinking.

    I began as a sceptic. I am not done watching. But I have seen enough to say this: when a government begins to understand that roads are not just projects but pathways to dignity, then perhaps it has at least put its foot on the right pedal. Whether it stays the course is the part history will judge.

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  • Arts in medicine advocate calls for stronger creative partnerships

    Arts in medicine advocate calls for stronger creative partnerships

    KUNLE Adewale, an arts-in-medicine advocate, says professionals in the arts and medicine should work together to improve global wellness. At a medical education conference in Lagos from March 26 to 29, Adewale shared his vision in a presentation called ‘Arts in Medicine: Creative Health for African Medical Educators and Healthcare Professionals.’ The event was organised […]